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    <title>Deep Blue Collection: Music, Theatre &amp; Dance, School of</title>
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      <title>The Channel Image</title>
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      <title>Allegorica:  A Videodance Vaudeville in Nine Acts (Composite 5 in 1 video only version)</title>
      <link>http://hdl.handle.net/2027.42/61370</link>
      <description>Title: Allegorica:  A Videodance Vaudeville in Nine Acts (Composite 5 in 1 video only version)&lt;br/&gt;&lt;br/&gt;Authors: Sparling, Peter&lt;br/&gt;&lt;br/&gt;Description: Performed at the James and Anne Duderstadt Center, Video &amp; Performance Studio, November 14-17, 2007</description>
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      <pubDate>Thu, 01 Nov 2007 00:00:00 GMT</pubDate>
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      <title>Allegorica:  A Videodance Vaudeville in Nine Acts (Documentation of Installation)</title>
      <link>http://hdl.handle.net/2027.42/61369</link>
      <description>Title: Allegorica:  A Videodance Vaudeville in Nine Acts (Documentation of Installation)&lt;br/&gt;&lt;br/&gt;Authors: Sparling, Peter&lt;br/&gt;&lt;br/&gt;Description: Performed at the James and Anne Duderstadt Center, Video &amp; Performance Studio, November 14-17, 2007</description>
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      <pubDate>Thu, 01 Nov 2007 00:00:00 GMT</pubDate>
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      <title>Identities on Trial, a kitchen protest prayer</title>
      <link>http://hdl.handle.net/2027.42/60945</link>
      <description>Title: Identities on Trial, a kitchen protest prayer&lt;br/&gt;&lt;br/&gt;Authors: Dickerson, Glenda&lt;br/&gt;&lt;br/&gt;Description: The project for "Transforming thru Performing: re/placing Black womanly images began in 2000 at the University of Michigan with a generous grant from the Ford Foundation. The original goal of The Project was to enter the Black woman's performing voice into the scholarly discourse surrounding gendered identity. Towards that end, we began a series of performance dialogues called "Kitchen Prayers". After 9/11, "Kitchen Prayers" revolved around stories which spoke to the impact of war and terror on women around the world. Since its inception, The Project has presented new "Kitchen Prayers" annually.; Trueblood Theatre, Ann Arbor, MI</description>
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      <pubDate>Fri, 11 Apr 2003 00:00:00 GMT</pubDate>
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      <title>Sapphire's New Shoe, the kitchen table summit</title>
      <link>http://hdl.handle.net/2027.42/60944</link>
      <description>Title: Sapphire's New Shoe, the kitchen table summit&lt;br/&gt;&lt;br/&gt;Authors: Dickerson, Glenda&lt;br/&gt;&lt;br/&gt;Description: The project for "Transforming thru Performing: re/placing Black womanly images began in 2000 at the University of Michigan with a generous grant from the Ford Foundation. The original goal of The Project was to enter the Black woman's performing voice into the scholarly discourse surrounding gendered identity. Towards that end, we began a series of performance dialogues called "Kitchen Prayers". After 9/11, "Kitchen Prayers" revolved around stories which spoke to the impact of war and terror on women around the world. Since its inception, The Project has presented new "Kitchen Prayers" annually.; Duderstadt Center, Ann Arbor, MI</description>
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      <pubDate>Fri, 29 Oct 2004 00:00:00 GMT</pubDate>
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