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Sounds of belonging: A cultural history of Spanish -language radio in the United States, 1922--2004.

dc.contributor.authorCasillas, Dolores Ines
dc.contributor.advisorDouglas, Susan J.
dc.contributor.advisorAparicio, Frances R.
dc.date.accessioned2016-08-30T16:08:21Z
dc.date.available2016-08-30T16:08:21Z
dc.date.issued2006
dc.identifier.urihttp://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:3237920
dc.identifier.urihttps://hdl.handle.net/2027.42/126110
dc.description.abstractThis dissertation examines the historical and political relationship between U.S. Spanish-language radio and its Spanish-speaking listenership throughout the twentieth century. I investigate Spanish-language radio's unique institutional development, programming traits, and audience reception during specific historical instances. I employ a range of multidisciplinary methodologies---archival, policy review, ethnographic, focus groups, and discourse analysis---to construct a cultural history of Spanish-language programming that focuses on the West coast of the United States. Specifically, I argue that a Mexican-dominant listenership---largely characterized by a legacy of Spanish and U.S. colonialism, a history of proletarianism, and linguistic and cultural fluency in Spanish---has shaped the development and character of U.S. Spanish-language radio. For Latinos, broadcasting in Spanish has become increasingly politically symbolic within the context of English-Only and anti-immigrant sentiments. In particular, I argue that radio acts as an acoustic ally to Spanish-speaking listeners through programming that helps listeners negotiate nostalgia as well as navigate the geopolitical present. In order to fully interrogate the cultural import of U.S. Spanish-language radio, this dissertation focuses upon a number of different sites. I document the trajectory from Spanish-language radio's early grassroots activist character to its corporate-sponsored existence. I link reviews of immigration and communication policy with research conducted at bilingual community radio stations through ethnographic methods. I look at radio shows, in particular Q&A immigration call-in shows as well as morning talk radio, as cultural texts and offer a discourse analysis of them. I argue that Arbitron's listening measurements---the listening diary, and Portable People Meter---are linguistically and culturally inappropriate measurements for Latino listeners. Lastly, I include a reception component through focus groups conducted with Latina radio listeners in San Francisco. I situate my analysis within broader discussions of the history of American broadcasting, the role of ethnic media within the United States, as well as immigration politics. Ultimately, I highlight how the growth of Spanish-language radio, its transnational scope and flows, as well as its immigrant-based listenership, challenges academic renderings of U.S. radio as exclusively English-only, national in programming, and as catering to a domestic audience.
dc.format.extent304 p.
dc.languageEnglish
dc.language.isoEN
dc.subjectBelonging
dc.subjectCultural History
dc.subjectPopular Culture
dc.subjectSounds
dc.subjectSpanish-language Radio
dc.subjectStates
dc.subjectUnited
dc.titleSounds of belonging: A cultural history of Spanish -language radio in the United States, 1922--2004.
dc.typeThesis
dc.description.thesisdegreenamePhDen_US
dc.description.thesisdegreedisciplineAmerican studies
dc.description.thesisdegreedisciplineCommunication and the Arts
dc.description.thesisdegreedisciplineHispanic American studies
dc.description.thesisdegreedisciplineMass communication
dc.description.thesisdegreedisciplineSocial Sciences
dc.description.thesisdegreegrantorUniversity of Michigan, Horace H. Rackham School of Graduate Studies
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/126110/2/3237920.pdf
dc.owningcollnameDissertations and Theses (Ph.D. and Master's)


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