Disegno and desire in Pontormo's Alessandro de’ Medici
dc.contributor.author | Simons, Patricia | en_US |
dc.date.accessioned | 2010-06-01T18:14:10Z | |
dc.date.available | 2010-06-01T18:14:10Z | |
dc.date.issued | 2008-11 | en_US |
dc.identifier.citation | Simons, Patricia (2008). "Disegno and desire in Pontormo's Alessandro de’ Medici." Renaissance Studies 22(5): 650-668. <http://hdl.handle.net/2027.42/71447> | en_US |
dc.identifier.issn | 0269-1213 | en_US |
dc.identifier.issn | 1477-4658 | en_US |
dc.identifier.uri | https://hdl.handle.net/2027.42/71447 | |
dc.format.extent | 1091437 bytes | |
dc.format.extent | 3109 bytes | |
dc.format.mimetype | application/pdf | |
dc.format.mimetype | text/plain | |
dc.publisher | Blackwell Publishing Ltd | en_US |
dc.rights | Journal Compilation © 2008 Blackwell Publishing Ltd | en_US |
dc.subject.other | Alessandro De’ Medici | en_US |
dc.subject.other | Drawing | en_US |
dc.subject.other | Erotics | en_US |
dc.subject.other | Pontormo | en_US |
dc.subject.other | Portraiture | en_US |
dc.title | Disegno and desire in Pontormo's Alessandro de’ Medici | en_US |
dc.type | Article | en_US |
dc.subject.hlbsecondlevel | History (General) | en_US |
dc.subject.hlbtoplevel | Humanities | en_US |
dc.description.peerreviewed | Peer Reviewed | en_US |
dc.contributor.affiliationum | University of Michigan, Ann Arbor | en_US |
dc.description.bitstreamurl | http://deepblue.lib.umich.edu/bitstream/2027.42/71447/1/j.1477-4658.2008.00533.x.pdf | |
dc.identifier.doi | 10.1111/j.1477-4658.2008.00533.x | en_US |
dc.identifier.source | Renaissance Studies | en_US |
dc.identifier.citedreference | Leo Steinberg, ‘Pontormo's Alessandro de’ Medici, or, I Only Have Eyes for You’, Art in America 63 ( January-February 1975 ): 62 – 5 | en_US |
dc.identifier.citedreference | Carl Brandon Strehlke, ‘Pontormo, Alessandro de’ Medici, and the Palazzo Pazzi’, Philadelphia Museum of Art Bulletin 81 ( Autumn 1985 ): 3 – 15 | en_US |
dc.identifier.citedreference | Vanessa Walker-Oakes, ‘Representing the Perfect Prince: Pontormo's Alessandro de’ Medici ’, Comitatus 32 ( 2001 ): 127 – 46 | en_US |
dc.identifier.citedreference | Frances Muecke, ‘“Taught by Love”: The Origin of Painting Again’, Art Bulletin 81 ( 1999 ): 297 – 302 | en_US |
dc.identifier.citedreference | Robert Rosenblum, ‘The Origin of Painting: A Problem in the Iconography of Romantic Classicism’, Art Bulletin 39 ( 1957 ): 279 – 90 | en_US |
dc.identifier.citedreference | Fredrika H. Jacobs, ‘Vasari's Vision of the History of Painting: Frescoes in the Casa Vasari, Florence’, Art Bulletin 66 ( 1984 ): 404 – 7 | en_US |
dc.identifier.citedreference | Ben Thomas, ‘The Academy of Baccio Bandinelli’, Print Quarterly 22 ( 2005 ): 3 – 14 | en_US |
dc.identifier.citedreference | Patricia Simons, ‘Women in Frames: the gaze, the eye, the profile in Renaissance portraiture’, History Workshop Journal 25 ( Spring 1988 ): 4 – 30 | en_US |
dc.identifier.citedreference | Fra Giuliano Ughi, ‘Cronica di Firenze o compendio storico delle cose di Firenze dall’anno MDI al MDXLVI’, Archivio storico italiano Appendix 7 ( 1849 ): 171, 185 | en_US |
dc.identifier.citedreference | Jan Bialostocki, ‘The Door of Death. Survival of a Classical Motif in Sepulchral Art’, Jahrbuch der Hamburger Kunstsammlungen 18 ( 1973 ): 7 – 32 | en_US |
dc.identifier.citedreference | Elizabeth Cropper, ‘On Beautiful Women, Parmigianino, Petrarchismo and the Vernacular Style’, Art Bulletin 58 ( 1976 ): 374 – 94 | en_US |
dc.owningcollname | Interdisciplinary and Peer-Reviewed |
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