Expanding the Boundaries of Anthropology: The Cultural Criticism of Gloria AnzaldÚa and Marlon Riggs
dc.contributor.author | Behar, Ruth | en_US |
dc.date.accessioned | 2010-06-01T20:13:41Z | |
dc.date.available | 2010-06-01T20:13:41Z | |
dc.date.issued | 1993-09 | en_US |
dc.identifier.citation | Behar, Ruth (1993). "Expanding the Boundaries of Anthropology: The Cultural Criticism of Gloria AnzaldÚa and Marlon Riggs." Visual Anthropology Review 9(2): 83-91. <http://hdl.handle.net/2027.42/73349> | en_US |
dc.identifier.issn | 1058-7187 | en_US |
dc.identifier.issn | 1548-7458 | en_US |
dc.identifier.uri | https://hdl.handle.net/2027.42/73349 | |
dc.format.extent | 3156399 bytes | |
dc.format.extent | 3109 bytes | |
dc.format.mimetype | application/pdf | |
dc.format.mimetype | text/plain | |
dc.publisher | Blackwell Publishing Ltd | en_US |
dc.rights | 1993 American Anthropological Association. | en_US |
dc.title | Expanding the Boundaries of Anthropology: The Cultural Criticism of Gloria AnzaldÚa and Marlon Riggs | en_US |
dc.type | Article | en_US |
dc.subject.hlbsecondlevel | Anthropology and Archaeology | en_US |
dc.subject.hlbtoplevel | Social Sciences | en_US |
dc.description.peerreviewed | Peer Reviewed | en_US |
dc.contributor.affiliationum | The University of Michigan, Ann Arbor. | en_US |
dc.description.bitstreamurl | http://deepblue.lib.umich.edu/bitstream/2027.42/73349/1/var.1993.9.2.83.pdf | |
dc.identifier.doi | 10.1525/var.1993.9.2.83 | en_US |
dc.identifier.source | Visual Anthropology Review | en_US |
dc.identifier.citedreference | AnzaldÜa, Gloria 1987 Borderlands/La Frontera: The New Mestiza ( San Francisco: Spinsters/ Aunt Lute ). | en_US |
dc.identifier.citedreference | AnzaldÜa, Gloria 1990a " Bridge, Drawbridge, Sandbar or Island: Lesbians-of-Color Haciendo Alianzas " in Bridges of Power: Women s Multicultural Alliances, edited by Lisa Albrecht and Rose M. Brewer. Philadelphia: New Society Publishers. | en_US |
dc.identifier.citedreference | AnzaldÜa, Gloria 1990b Making Face, Making Soul/ Haciendo Caras: Creative and Critical Perspectives by Women of Color ( San Francisco: Aunt Lute Foundation ). | en_US |
dc.identifier.citedreference | AnzaldÜa, Gloria 1991 " To(o) Queer the Writer — Loca, escritora y chiczna " in In Versions: Writing by Dykes, Queers and Lesbians, edited by Betsy Warland ( Vancouver: Press Gang Publishers ), pp. 249 – 263. | en_US |
dc.identifier.citedreference | AnzaldÜa, Gloria (ed. ) 1990b Making Face, Making Soul/Haciendo Caras: Creative and Critical Perspectives by Women of Color ( San Francisco: Aunt Lute Foundation ). | en_US |
dc.identifier.citedreference | Becquer, Marcos 1991 " Snap!thology and other Discursive Practices in Tongues Untied," Wide Angle 13, 2 ( April ): 6 – 17. | en_US |
dc.identifier.citedreference | Benftez, Fernando 1970 Los indios de MÉxico. (Mexico: Ediciones Era). | en_US |
dc.identifier.citedreference | Deloria, Ella 1988 Waterlily. Lincoln: University of Nebraska Press. | en_US |
dc.identifier.citedreference | Finn, Janet ( in press ) " Ella Cara Deloria and Mourning Dove: Writing for Cultures, Writing Against the Grain " in Women Writing Culture: A Reader in Feminist Ethnography, edited by Ruth Behar and Deborah Gordon. ( Berkeley: University of California Press ). | en_US |
dc.identifier.citedreference | Freedman, Diane P. 1992 An Alchemy of Genres: Cross-Genre Writing by American Feminist Poet-Critics ( Charlottesville: University Press of Virginia ). | en_US |
dc.identifier.citedreference | hooks, bell 1990 Yearning: Race, Gender, and Cultural Politics ( Boston: South End Press ). | en_US |
dc.identifier.citedreference | Hurston, Zora Neale 1990 [ 1935 ] Mules and Men ( New York: Harper and Row ). | en_US |
dc.identifier.citedreference | Kleinhans, Chuck 1991 " Ethnic Notions, Tongues Untied: Mainstreams and Margins," Jump Cut, 36: 108 – 118. | en_US |
dc.identifier.citedreference | Kleinhans, Chuck and Julia Lesage 1991 " Interview with Marlon Riggs: Listening to the Heartbeat," Jump Cut, 36: 119 – 126. | en_US |
dc.identifier.citedreference | Moraga, Cherrfe and Gloria AnzaldÜa, ( eds. ) 1983 This Bridge Called My Back: Writings by Radical Women of Color. New York: Kitchen Table, Women of Color Press. | en_US |
dc.identifier.citedreference | PÉrez, Laura Elisa 1991 " Some Political Problems in Representing Latinas in Literary Criticism and Theory," paper presented at the symposium on Representing the Lives of Women Across Cultures, Center for the Education of Women, University of Michigan, March 11. | en_US |
dc.identifier.citedreference | Riggs, Marlon 1991 " A Snap! Queen Deliberates: 'Reading' the Media." In Video: The Center for New Television ( November/December ): 1, 8. | en_US |
dc.identifier.citedreference | Riggs, Marlon 1992 " Meet the New Willie Horton," New York Times Op-Ed, Friday, March 6. | en_US |
dc.identifier.citedreference | Saalfield, Catherine 1991 " Tongue Tied: Homophobia Hamstrings PBS," The Independent ( October ): 6 – 6. | en_US |
dc.identifier.citedreference | Valverde, Maya 1988 " Borderlands: Transformation at the Crossroads, An Interview with Gloria AnzaldÜa." In Woman of Power, 10 ( summer ): 30 – 31. | en_US |
dc.identifier.citedreference | Ethnic Notions ( 1986, 60 min.). By Marlon Riggs. Distrubuted by California Newsreel, San Francisco. Tel. 415 621 6196. | en_US |
dc.identifier.citedreference | Color Adjustment (120 min.). By Marlon Riggs. Distributed by California Newsreel, San Francisco. Tel. 415 621 6196. | en_US |
dc.identifier.citedreference | Tongues Untied ( 1989, 55 min.). By Marlon Riggs. Distributed by Frameline, San Francisco. Tel. 415 703 8650. | en_US |
dc.identifier.citedreference | No Regret (30 min.). By Marlon Riggs. Distributed by Frameline, San Francisco. Tel. 415 703 8650. Visual Anthropology Review. | en_US |
dc.owningcollname | Interdisciplinary and Peer-Reviewed |
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