Exile & Utopia
dc.contributor.author | Johnson-Ortiz, Aaron | |
dc.contributor.advisor | Smith, Bradley | |
dc.date.accessioned | 2010-07-12T13:59:01Z | |
dc.date.available | NO_RESTRICTION | en_US |
dc.date.available | 2010-07-12T13:59:01Z | |
dc.date.issued | 2010-04 | |
dc.date.submitted | 2010-04 | |
dc.identifier.uri | https://hdl.handle.net/2027.42/77495 | |
dc.description.abstract | The ampersand between the terms “exile” and “utopia” transforms a feeling of loss of home into a hope for a better world. That is the general trajectory of my illustrated book, Exile & Utopia, which traces a group of Mexican revolutionary journalists in the early twentieth century (1904-1906) as they flee repression and surveillance through Mexico, the US, and Canada, and attempt to organize an (ultimately failed) revolution. In the lead-up to the centennial of the Mexican Revolution of 1910, I re-traced this transnational precursor movement, and with my book I challenge the circumscriptive character of national histories, as well as the very notion of ‘revolution’. Over the past two years (2008-2010), I travelled across North America, photographed the erased historic sites where the exiles lived, hid, and worked, assembled a narrative based on primary source documents including intercepted correspondence and detective notes, rendered abstract ‘diagrammatic drawings’ that chart the growth and/or constriction of their solidarity networks, and produced a book composed of these three ‘traces’ (photographs, text, and drawings). The lines of flight I trace in Exile & Utopia resonate with my own experience coming of age shuttling between southern Mexico and the American Midwest, and provide a prehistory to emergent transnational solidarity networks in our own era. | en_US |
dc.format.extent | 12122509 bytes | |
dc.format.mimetype | application/octet-stream | |
dc.language.iso | en_US | en_US |
dc.subject | History | en_US |
dc.subject | Geography | en_US |
dc.subject | Politics | en_US |
dc.subject | Mexico | en_US |
dc.subject | US | en_US |
dc.subject | Transnationalism | en_US |
dc.subject | Networks | en_US |
dc.subject | Abstraction | en_US |
dc.subject | Photography | en_US |
dc.subject | Dossier | en_US |
dc.subject | Trace | en_US |
dc.subject | Collage | en_US |
dc.subject | Surveillance | en_US |
dc.subject | Subterfuge | en_US |
dc.subject | Revolution | en_US |
dc.subject | Resistance | en_US |
dc.subject | Solidarity | en_US |
dc.subject | Zapatismo | en_US |
dc.subject | Ricardo Flores MagóN | en_US |
dc.subject | Exile | en_US |
dc.subject | Utopia | en_US |
dc.subject | Art | en_US |
dc.title | Exile & Utopia | en_US |
dc.type | Thesis | en_US |
dc.description.thesisdegreename | Master of Fine Arts (MFA) | en_US |
dc.description.thesisdegreediscipline | School of Art & Design | en_US |
dc.description.thesisdegreegrantor | University of Michigan | en_US |
dc.contributor.committeemember | Gloeckner, Phoebe | |
dc.contributor.committeemember | Jenckes, Kate | |
dc.contributor.committeemember | Williams, Gareth | |
dc.identifier.uniqname | ajortiz@umich.edu | en_US |
dc.description.bitstreamurl | http://deepblue.lib.umich.edu/bitstream/2027.42/77495/1/2010_Johnson-Ortiz_MFA_Thesis.pdf | |
dc.owningcollname | Art and Design, Penny W. Stamps School of - Master of Fine Arts (MFA) in Art |
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