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"Civilian Victims of Military Brutality"
dc.contributor.authorNornes, Markusen_US
dc.date.accessioned2012-04-26T01:31:38Z
dc.date.available2012-04-26T01:31:38Z
dc.date.issued1991
dc.identifier.citation"Civilian Victims of Military Brutality," The Japan/America Film Wars: World War II Propaganda and Its Cultural Contexts (New York: Harwood Academic Publishers, 1994), 252-258. <http://hdl.handle.net/2027.42/90926>en_US
dc.identifier.urihttps://hdl.handle.net/2027.42/90926
dc.descriptionOriginally published as "Civilian Victims of Military Brutality," Media Wars: Then & Now (Tokyo: Cinematrix, 1991).en_US
dc.description.abstractA careful archeology uncovering the convoluted history of the only film to document the massacre violence in Nanking during the China War. This essay compares competing versions and considers how the film has been used to various ends ever since being smuggled out of China.en_US
dc.language.isoen_USen_US
dc.subjectFilmen_US
dc.subjectMotion Picturesen_US
dc.title"Civilian Victims of Military Brutality"en_US
dc.typeArticleen_US
dc.subject.hlbsecondlevelHumanities (General)
dc.subject.hlbtoplevelHumanities
dc.contributor.affiliationumScreen Arts and Cultures, Department ofen_US
dc.contributor.affiliationumAsian Languages and Cultures, Department ofen_US
dc.contributor.affiliationumSchool of Art & Designen_US
dc.contributor.affiliationumcampusAnn Arboren_US
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/90926/1/Civilian Victims.pdf
dc.identifier.sourceThe Japan/America Film Wars: World War II Propaganda and Its Cultural Contextsen_US
dc.owningcollnameScreen Arts and Cultures, Department of


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