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“For me music is a way to learn about the world, its complexity
and depth, and its beauty,” Gernot Blume ’98 PhD told
NewsE editor John Woodford in a telephone interview from Blume’s
hometown of Bingen, Germany. “I revel in the many ways there
are to make sounds and to hear.”
Bingen, Blume’s hometown in the wine region along the Rhine,
is famous as the home of Hildegard of Bingen (1098-1179), the composer,
theologian, naturalist and visionary. “My heritage is an intrinsic
part of me,” Blume said. And like Hildegard of Bingen, he,
too is drawn to the spiritual aspects of music.
“I think that music is an art form that wears spiritual questions
on its sleeve, if you will,” he said. “It’s such
a crazy thing that we are all enchanted by frequencies and sound
waves and that people produce instruments. It’s ephemeral
and immaterial. I think that produces questions about why we do
it and what moves us and what our live is about and what is the
world made of.”
Blume, 36, is not trying to proselytize with his music. “The
problems of fundamentalism in our world—in all kinds of religious
contexts—are very profound. I see religious beliefs as culturally
relative, but everywhere as a source of inspiration. I thrive on
the music making of any culture that sees music as part of the spiritual.”
According to composer and flutist James Newton, Gernot Blume’s
music “blends World Musics, Blues and Jazz, and European classical
music in a way that understands the uniqueness of each of these
languages and their ability to coexist on a new cultural plane.
This approach to art is perhaps one of the most significant contributions
to the furthering of a new musical aesthetic.”
Blume began teaching himself instruments from early childhood.
“Piano is still my main instrument,” he said. He studied
it formally and was conservatory-bound until he taught himself the
guitar and violin.
Then he heard Irish fiddlers and realized there was more to the
musical world than he had dreamed of. “The Irish musical revival
was the first nonclassical Western music I came in touch with. It
became this big inspiration—a living tradition that included
compositional elements but veered away from the classical experience.
Blume’s curiosity led him away from the classical German
conservatory and, at first, to Eastern European and Bulgarian folk
music. “I learned the accordion, and then one thing led to
another, so that I now play many different instruments. Learning
an instrument has been my access to different music and cultures.
It’s my personal obsession. I don’t now exactly how
many I play, because I treat instruments as systems, concepts, rather
than as the specific objects they also are.” (His “primary
instruments” are the sitar, surbahar, piano, nyckelharpa,
accordion and harp. Guitar, vibraphone, violin, mandolin, recorders,
various drums, and Javanese and Balinese gamelan instruments are
among his secondary ones.)
The “Big Bang of my affinities,” Blume said, “was
the experience of hearing Ravi Shankar on records. Then I knew there
was a music vastly different from the traditions I had studied.”
Blume came to the United States in 1988 “because at that
time in Germany no school had an accredited degree programs connected
with the study of world music cultures. World music is still a slim
situation here.” After earning his BA and MFA at California
Institute for the Arts he chose U-M’s doctoral program because
he wanted to study ethnomusicology with Prof. Judith Becker, a world-renowned
expert in the field.
During their Ann Arbor years, Blume and his wife, the composer
and marimbist Julie Spencer, produced their first CD, “Changes
Inside,” under their Spencer Blume Publishing (SBP) label.
After several years in Portland, Oregon, They moved to Germany where
they teach, perform, compose and raise their children.
“Anjou” is on Spencer and Blume’s second CD,
“Lost and Found” (2000). Both CDs are available in this
country through Steve Weiss Music, 2324 Wyandotte, Willow Grove,
PA 19090. Phone: (215) 659-0100.
They will be available on the Web soon at an SBP Web site, Blume
said.
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