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Performances, Auditions, and Rehearsals - Last Man at Willow Run, 2013
dc.contributor.authorSparling, Peteren_US
dc.contributor.otherLeiz, Peteen_US
dc.contributor.otherMersereau, Jacquesen_US
dc.contributor.otherAlder, Jeffen_US
dc.coverage.temporal2013en_US
dc.date.accessioned2014-01-16T20:49:51Zen_US
dc.date.accessioned2014-01-20T20:37:05Z
dc.date.available2014-01-16T20:49:51Zen_US
dc.date.created2013-2014en_US
dc.date.issued2014en_US
dc.identifier.other0312_0001_0009en_US
dc.identifier.urihttps://hdl.handle.net/2027.42/102500en_US
dc.description.abstract"Last Man at Willow Run" is an elegiac tone poem for the post-industrial age, shot in the Willow Run Bomber Plant just months before its demolition. A lone figure maps the cavernous spaces of the abandoned plant with his dancing body. The camera charts his progress down mile-long corridors, as he wrestles with forgotten spirits and is cloned into assembly lines of workers past. Set to Richard Strauss's dramatic yet non-narrative orchestral score, Death and Transfiguration, the work has a tragic, ironic edge. It embodies the final throes of an American Dream. Peter Sparling: performer and editor; Pete Leix: videographer; Jacques Mersereau: videographer, studio; and Jeff Alder: lighting, studio.en_US
dc.language.isoen_USen_US
dc.rightsCopyright is retained by Peter Sparlingen_US
dc.titlePerformances, Auditions, and Rehearsals - Last Man at Willow Run, 2013en_US
dc.typeVideoen_US
dc.contributor.affiliationumcampusAnn Arboren_US
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/102500/1/Last Man at Willow Run 7-6.mp4en_US
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/102500/2/Last Man at Willow Run 7-6.mp4
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/102500/3/Last Man at Willow Run 7-6.mov
dc.rights.accessContent is open for researchen_US
dc.owningcollnameSparling, Peter D.


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