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A poetics of being minor.

dc.contributor.authorGilliland, Gailen_US
dc.contributor.advisorEllison, Julieen_US
dc.date.accessioned2014-02-24T16:26:18Z
dc.date.available2014-02-24T16:26:18Z
dc.date.issued1990en_US
dc.identifier.other(UMI)AAI9116183en_US
dc.identifier.urihttp://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqm&rft_dat=xri:pqdiss:9116183en_US
dc.identifier.urihttps://hdl.handle.net/2027.42/105186
dc.description.abstractThe history of the genre of the ars poetica, or the writer's commentary on his/her own art, begins with Horace's Ars Poetica and traditionally includes, as does Aristotle's Poetics, discussions of the purpose of literature, choice of subject matter and genre, diction, character, and style. The ars poetica differs from the open critical tradition begun by Aristotle, however, in that it firmly establishes the right of the poet-critic to be opinionated about the choices he/she has made in his/her own art. After giving a brief history of the ars poetica, this dissertation, written by a minor woman writer, goes on to discuss the traditional Horatian subjects, but in terms of what it means to be a minor writer in the post-modern era. The question of minor literature is first explored in an overview of theoretical stances taken by critics Frye, Bloom, and Deleuze and Guattari.en_US
dc.format.extent272 p.en_US
dc.subjectLiterature, Comparativeen_US
dc.subjectLiterature, Romanceen_US
dc.subjectLiterature, Englishen_US
dc.titleA poetics of being minor.en_US
dc.typeThesisen_US
dc.description.thesisdegreenamePhDen_US
dc.description.thesisdegreedisciplineComparative Literatureen_US
dc.description.thesisdegreegrantorUniversity of Michigan, Horace H. Rackham School of Graduate Studiesen_US
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/105186/1/9116183.pdf
dc.description.filedescriptionDescription of 9116183.pdf : Restricted to UM users only.en_US
dc.owningcollnameDissertations and Theses (Ph.D. and Master's)


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