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The Creation and Construction of Asian Cinema Redux
dc.contributor.authorNornes, Markusen_US
dc.date.accessioned2015-06-24T23:48:16Z
dc.date.available2015-06-24T23:48:16Z
dc.date.issued2013
dc.identifier.citationFilm History: An International Journal, 25.1-2 (2013): 175-187.en_US
dc.identifier.urihttps://hdl.handle.net/2027.42/111896
dc.description.abstractThis article looks back to the first book imagining an “Asian cinema,” which was published in Japan on the eve of Pearl Harbor. It then works through a history of the conception of Asian cinema, discovering fundamental continuities between national and transnational cinema studies and calling for a regionalization of film history.en_US
dc.language.isoen_USen_US
dc.titleThe Creation and Construction of Asian Cinema Reduxen_US
dc.typeArticleen_US
dc.subject.hlbsecondlevelHumanities (General)
dc.subject.hlbtoplevelHumanities
dc.description.peerreviewedPeer Revieweden_US
dc.contributor.affiliationumScreen Arts and Cultures, Department ofen_US
dc.contributor.affiliationumAsian Languages and Cultures, Department ofen_US
dc.contributor.affiliationumcampusAnn Arboren_US
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/111896/1/Creation.Construction.pdf
dc.identifier.sourceFilm History: An International Journalen_US
dc.description.mapping18en_US
dc.description.mapping214en_US
dc.owningcollnameScreen Arts and Cultures, Department of


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