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Fassbinder's Female Complaint: Martha (1974) and the 1940s “Woman's Film”

dc.contributor.authorHennessy, Mary
dc.date.accessioned2016-03-07T19:05:28Z
dc.date.available2017-03-01T14:41:59Zen
dc.date.issued2016-01
dc.identifier.citationHennessy, Mary (2016). "Fassbinder's Female Complaint: Martha (1974) and the 1940s “Woman's Film”." The German Quarterly 89(1): 67-79.
dc.identifier.issn0016-8831
dc.identifier.issn1756-1183
dc.identifier.urihttps://hdl.handle.net/2027.42/117479
dc.publisherWiley Periodicals, Inc.
dc.publisherReaktion Books
dc.subject.otherMasochism
dc.subject.otherGender
dc.subject.otherRainer Werner Fassbinder
dc.subject.other1940s Hollywood Film
dc.titleFassbinder's Female Complaint: Martha (1974) and the 1940s “Woman's Film”
dc.typeArticleen_US
dc.rights.robotsIndexNoFollow
dc.subject.hlbsecondlevelGermanic Languages and Literature
dc.subject.hlbtoplevelHumanities
dc.description.peerreviewedPeer Reviewed
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/117479/1/gequ10256.pdf
dc.identifier.doi10.1111/gequ.10256
dc.identifier.sourceThe German Quarterly
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dc.identifier.citedreferenceFassbinder, Rainer Werner. Filme befreien den Kopf: Essays und Arbeitsnotizen. Ed. Michael Töteberg. Frankfurt am Main: Fischer, 1992.
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dc.identifier.citedreferenceFreud, Sigmund. “ The Economic Problem of Masochism.” Essential Papers on Masochism. Ed. Margaret Ann Fitzpatrick Hanly, 274 – 285. New York: New York UP, 1995.
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dc.identifier.citedreferenceKlinger, Barbara. Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk. Bloomington: Indiana UP, 1994.
dc.identifier.citedreferenceKoch, Gertrud. “ From Detlef Sierck to Douglas Sirk,” Film Criticism 23. 2/3 ( 1999 ): 14 – 32.
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dc.identifier.citedreferenceRosenbaum, Jonathan. “ Martha: Fassbinder's Uneasy Testament.” Jonathan Rosenbaum, 18 July 2004. Web. 20 July 2015. < http://www.jonathanrosenbaum.net/2004/07/marthafassbinder%E2%80%99s-uneasy-testament/ >.
dc.identifier.citedreferenceWilliams, Linda. “ Film Bodies: Gender, Genre, and Excess.” The Film Quarterly 44. 4 (Summer 1991 ): 2 – 13.
dc.identifier.citedreferenceWilliams, Linda. Playing the Race Card: Melodramas of Black and White from Uncle Tom to O.J. Simpson. Princeton: Princeton UP, 2001.
dc.identifier.citedreferenceBatchelor, David. Chromophobia. London: Reaktion Books, 2000.
dc.identifier.citedreferenceBerlant, Lauren. The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham: Duke UP, 2008.
dc.identifier.citedreferenceBrecht, Bertolt. “ On Gestic Music.” Brecht on Theatre: The Development of an Aesthetic. Trans. and Ed. John Willett. New York: Hill and Wang, 1964. 104 – 106.
dc.owningcollnameInterdisciplinary and Peer-Reviewed


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