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What it Means to be Modern: Elizabeth Bishop's New York Notebook, 1934-1937
dc.contributor.authorBlasko, Loretta
dc.contributor.advisorZeff, Jacqueline
dc.date.accessioned2016-05-09T16:29:40Z
dc.date.available2016-05-09T16:29:40Z
dc.date.issued2006-05-04
dc.identifier.urihttps://hdl.handle.net/2027.42/117972
dc.description.abstractOne of the dominant themes in American poet Elizabeth Bishop's New York notebook (1934-1937) was modernisim. Modernisim was a reaction by writers and artists to the sweeping changes taking place in Europe and the United States from slightly before WWI and up to WWII. It was a reaction to the machine as a replacement for craftsmanship, and transportation: the crowded yet loneliness of big city living versus the samll yet intimate feeling of a village or small town. It was also a reaction to the devastation of WWI and the promise of scientific progress…
dc.subjectElizabeth Bishop
dc.subjectmodernism
dc.subjectliterary criticism
dc.titleWhat it Means to be Modern: Elizabeth Bishop's New York Notebook, 1934-1937
dc.typeThesis
dc.description.thesisdegreenameMaster's
dc.description.thesisdegreedisciplineCollege of Arts and Sciences: Liberal Studies
dc.description.thesisdegreegrantorUniversity of Michigan
dc.contributor.committeememberZeff, Jacqueline
dc.contributor.committeememberFurman, Jan
dc.contributor.affiliationumcampusFlint
dc.description.bitstreamurlhttps://deepblue.lib.umich.edu/bitstream/2027.42/117972/1/Blasko.pdf
dc.owningcollnameDissertations and Theses (Ph.D. and Master's)


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