Time Traveling through Asian Documentary’s Pasts and Futures
dc.contributor.author | Nornes, Markus | |
dc.date.accessioned | 2021-05-14T17:18:38Z | |
dc.date.available | 2021-05-14T17:18:38Z | |
dc.date.issued | 2021-01 | |
dc.identifier.citation | 1 | en_US |
dc.identifier.uri | https://hdl.handle.net/2027.42/167603 | en |
dc.description.abstract | This essay examines a very special event that took place immediately following the 2009 Yamagata International Documentary Film Festival. The director of that festival, Fujioka Asako, stayed in northern Japan and held back the young Chinese filmmakers. They retreated to a tiny village deep in the mountains, a place made famous by in his penultimate film. Fujioka called in the cinematographer of that film, along with several directors of the same generation. They held a ‘dojo,’ a school where the veteran independent filmmakers from Japan taught the younger generation of independent filmmakers from China. They watched films, shot and hand-developed Super-8 films, and held discussions deep into the night. It was evident that the independent scene of present-day China looked very much like that of Japan in the 60s and 70s—a kind of time slip in the mountains. It was originally published in a Japanese catalog edited by Fujioka Asako. | en_US |
dc.language.iso | en_US | en_US |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | Time Traveling through Asian Documentary’s Pasts and Futures | en_US |
dc.title.alternative | 日中映画道場:アジア・ドキュメンタリーの過去と未来を巡る時間の旅 | en_US |
dc.type | Article | en_US |
dc.subject.hlbsecondlevel | Humanities (General) | |
dc.subject.hlbtoplevel | Humanities | |
dc.contributor.affiliationum | Screen Arts and Cultures, Department of | en_US |
dc.contributor.affiliationumcampus | Ann Arbor | en_US |
dc.description.bitstreamurl | http://deepblue.lib.umich.edu/bitstream/2027.42/167603/1/2021_1 Nitchu_Dojo_English.pdf | |
dc.description.bitstreamurl | http://deepblue.lib.umich.edu/bitstream/2027.42/167603/2/2010_April_1 Nitchu_Dojo.pdf | |
dc.identifier.doi | https://dx.doi.org/10.7302/1145 | |
dc.identifier.source | Chinese Independent Cinema Observer | en_US |
dc.description.filedescription | Description of 2021_1 Nitchu_Dojo_English.pdf : English Version | |
dc.description.filedescription | Description of 2010_April_1 Nitchu_Dojo.pdf : Japanese version | |
dc.description.depositor | SELF | en_US |
dc.working.doi | 10.7302/1145 | en_US |
dc.owningcollname | Screen Arts and Cultures, Department of |
Files in this item
Remediation of Harmful Language
The University of Michigan Library aims to describe library materials in a way that respects the people and communities who create, use, and are represented in our collections. Report harmful or offensive language in catalog records, finding aids, or elsewhere in our collections anonymously through our metadata feedback form. More information at Remediation of Harmful Language.
Accessibility
If you are unable to use this file in its current format, please select the Contact Us link and we can modify it to make it more accessible to you.