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Interview with Haynará Negreiros

dc.contributor.authorGlobal Feminisms Project
dc.date.accessioned2022-02-28T02:36:06Z
dc.date.available2022-02-28T02:36:06Z
dc.date.issued2018-06
dc.identifier.urihttps://hdl.handle.net/2027.42/171777
dc.descriptionThe Global Feminisms Project (http://www.umich.edu/~glblfem/en/index.html) is a collaborative international oral history project that examines the history of feminist activism, women's movements, and academic women's studies in sites around the world. The current archive includes interviews with women's movement activists and women's studies scholars in China, India, Nicaragua, Poland, and the United States. We are currently working on adding interviews from Brazil and Russia. The Project is based in the Institute for Research on Women and Gender (IRWG) at UM, which is also the home for the U.S. site research team. Our international collaborators include: - Laboratório de História Oral e Imagem - UFF (the Laboratory of Oral History and Images at the Federal Fluminense University in Rio de Janeiro) and Núcleo de História, Memória e Documento - NUMEM (the Center for History, Memory, and Documentation at the Federal State University in Rio de Janeiro), BRAZIL - China Women's University in Beijing, CHINA - SPARROW, Sound and Picture Archives for Research on Women in Mumbai, INDIA - Movimiento Autónomo de Mujeres de Nicaragua (Autonomous Women's Movement), NICARAGUA - Fundacja Kobiet eFKa (Women's Foundation eFKa) in Krakow, POLAND
dc.description.abstractHaynará Negreiros was born in São Paulo and holds a master's degree in Science of Religion from PUC SP (Pontifical Catholic University of São Paulo), where she investigated the relationships between clothing, candomblé and affective memories of the community of the Redandá terreiro (Redandá candomblé house) from São Paulo. Haynará is a writer and researcher of diverse aesthetic languages and her main areas of study are Afro-Brazilian and African aesthetics that are manifested through dress, fashion, religiosity and family memories. She published in Blogueiras Negras, has a tumblr called O axé nas roupas (The axé in the clothes), where in her own words she “performs a mapping of memories, a cartography about Afro-Brazilian aesthetics”. In 2018 she worked as a curatorial assistant at Red Bull Station, a space for experimenting with arts and music in downtown São Paulo. Between November 2019 and March 2020, she was the curator of the exhibition Indumentárias negras em foco (Black clothing in focus), that was the result of a partnership between the Moreira Salles Institute and the Feira Preta Institute. She currently teaches seminars at the MASP-São Paulo Art Museum School and at the Adelina Institute and writes the column "Negras Maneiras" (Black Manners) at ELLE Brazil.
dc.relation.ispartofseriesGlobal Feminisms Brazilian Site Interview
dc.subjectGlobal Feminism
dc.subjectFeminists
dc.subjectBrazilian Feminists
dc.titleInterview with Haynará Negreiros
dc.typeVideo
dc.subject.hlbsecondlevelWomen's and Gender Studies
dc.subject.hlbtoplevelSocial Sciences
dc.contributor.affiliationumInstitute for Research on Women and Gender
dc.contributor.affiliationumcampusAnn Arbor
dc.identifier.videostreamhttps://cdnapisec.kaltura.com/p/1038472/sp/103847200/embedIframeJs/uiconf_id/33084471/partner_id/1038472?autoembed=true&entry_id=1_iympbhf2&playerId=kaltura_player_01&cache_st=1455309475&width=400&height=330&flashvars[streamerType]=auto
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/171777/1/HaynaraNegreiros_GFPInterview.mp4
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/171777/2/HaynaraNegreiros_EnglishSubtitles_GFPInterview.mp4
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/171777/3/Negreiros_Brazil_Final.docx
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/171777/4/Negreiros_Brazil_English_Final.docx
dc.identifier.doihttps://dx.doi.org/10.7302/4168
dc.working.doi10.7302/4168en
dc.owningcollnameGlobal Feminisms Project


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