Summary of One Opera Role and Two Dissertation Recitals

Abstract

One opera role and two dissertation recitals were performed in lieu of a dissertation. This document, which includes a character analysis of an opera role performed and two recital program notes, represents my artistry, scholarship, and expertise in the field of vocal performance. The character analysis, “Exploring Identity Through Dreams in Massenet’s Cendrillon,” explores the overarching themes of identity and dreams in Caïn’s libretto and how they are supported by Massenet’s musical setting. The first recital, “An Evening of 20th Century Spanish Music,” offers music by Enrique Granados, Federico Mompou, Matilde Salvador, and Joaquín Turina. The program includes songs in Castilian Spanish and Catalan, as well as a diverse palate of regional color. “Songs of the American South,” was my third and final dissertation performance. This final recital is an expression of the southern experience through song. With music by Jake Heggie, Camille Nickerson, and John Daniels Carter, the first half of the recital explores folk genres of the south. The second half addresses themes of southern imagery, nostalgia, racial injustice, and hope through the works of Samuel Barber, John Musto, Ricky Ian Gordon, and Adolphus Hailstork.