DISCO CO(LAB) Workshop: Black Soundscapes with Allie Martin Flier
dc.contributor.author | Walcott, Rianna | |
dc.date.accessioned | 2025-05-22T17:17:46Z | |
dc.date.available | 2025-05-22T17:17:46Z | |
dc.date.issued | 2025-03-10 | |
dc.identifier.uri | https://hdl.handle.net/2027.42/197447 | en |
dc.description | From generative AI to various phases of appropriation, Black soundscapes are under constant surveillance and manipulation. In this workshop, Dr. Martin demonstrates strategies for considering the ethics of soundscape recording and composition in Black digital and artistic projects. Drawing from a residency with the Library of Congress Connecting Communities Digital Initiative (CCDI), she offers strategies on sampling collections with critical intention across mediums, from installations to films to digital projects. Ultimately, Dr. Martin invites a conversation about slowing the datafication of Black life, advocating for a more thoughtful pace that considers the consequences and possibilities of handling Black sound. | en_US |
dc.language.iso | en_US | en_US |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | DISCO CO(LAB) Workshop: Black Soundscapes with Allie Martin Flier | en_US |
dc.type | Poster | en_US |
dc.contributor.affiliationum | Digital Studies Institute | en_US |
dc.contributor.affiliationumcampus | Ann Arbor | en_US |
dc.description.bitstreamurl | http://deepblue.lib.umich.edu/bitstream/2027.42/197447/1/Black Soundscapes (1).png | |
dc.identifier.doi | https://dx.doi.org/10.7302/25872 | |
dc.description.filedescription | Description of Black Soundscapes (1).png : From generative AI to various phases of appropriation, Black soundscapes are under constant surveillance and manipulation. In this workshop, Dr. Martin demonstrates strategies for considering the ethics of soundscape recording and composition in Black digital and artistic projects. Drawing from a residency with the Library of Congress Connecting Communities Digital Initiative (CCDI), she offers strategies on sampling collections with critical intention across mediums, from installations to films to digital projects. Ultimately, Dr. Martin invites a conversation about slowing the datafication of Black life, advocating for a more thoughtful pace that considers the consequences and possibilities of handling Black sound. | |
dc.description.depositor | SELF | en_US |
dc.working.doi | 10.7302/25872 | en_US |
dc.owningcollname | DISCO (Digital Inquiry, Speculation, Collaboration, and Optimism) Network |
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