The appropriate extent of intellectual property rights in art
dc.contributor.author | Deardorff, Alan V. | en_US |
dc.date.accessioned | 2006-09-11T15:05:39Z | |
dc.date.available | 2006-09-11T15:05:39Z | |
dc.date.issued | 1995-06 | en_US |
dc.identifier.citation | Deardorff, Alan V.; (1995). "The appropriate extent of intellectual property rights in art." Journal of Cultural Economics 19(2): 119-130. <http://hdl.handle.net/2027.42/44646> | en_US |
dc.identifier.issn | 1573-6997 | en_US |
dc.identifier.issn | 0885-2545 | en_US |
dc.identifier.uri | https://hdl.handle.net/2027.42/44646 | |
dc.description.abstract | The paper examines whether intellectual property rights in art should be extended to the entire world. In earlier papers, the economics of patent rights have been examined and the argument made that world welfare is likely to fall if patent rights are extended to the entire world. This argument is recapitulated here with special attention to the assumptions that are needed for its validity. These assumptions are then reexamined in the context of markets for art to see whether the argument carries over. It is found that while most of the assumptions do carry over well enough to justify the argument, there are also certain circumstances that may require greater geographic extension of intellectual property rights in some cases. | en_US |
dc.format.extent | 850397 bytes | |
dc.format.extent | 3115 bytes | |
dc.format.mimetype | application/pdf | |
dc.format.mimetype | text/plain | |
dc.language.iso | en_US | |
dc.publisher | Kluwer Academic Publishers; Springer Science+Business Media | en_US |
dc.subject.other | Public Finance & Economics | en_US |
dc.subject.other | Economics / Management Science | en_US |
dc.subject.other | Economic Policy | en_US |
dc.subject.other | Microeconomics | en_US |
dc.subject.other | Intellectual Property | en_US |
dc.subject.other | Economics of the Arts | en_US |
dc.title | The appropriate extent of intellectual property rights in art | en_US |
dc.type | Article | en_US |
dc.subject.hlbsecondlevel | Women's and Gender Studies | en_US |
dc.subject.hlbsecondlevel | Philosophy | en_US |
dc.subject.hlbsecondlevel | Film and Video Studies | en_US |
dc.subject.hlbsecondlevel | Communications | en_US |
dc.subject.hlbsecondlevel | Art and Design | en_US |
dc.subject.hlbtoplevel | Humanities | en_US |
dc.subject.hlbtoplevel | Social Sciences | en_US |
dc.subject.hlbtoplevel | Arts | en_US |
dc.description.peerreviewed | Peer Reviewed | en_US |
dc.contributor.affiliationum | Department of Economics, University of Michigan, 48109-1220, Ann Arbor, MI, USA | en_US |
dc.contributor.affiliationumcampus | Ann Arbor | en_US |
dc.description.bitstreamurl | http://deepblue.lib.umich.edu/bitstream/2027.42/44646/1/10824_2005_Article_BF01074201.pdf | en_US |
dc.identifier.doi | http://dx.doi.org/10.1007/BF01074201 | en_US |
dc.identifier.source | Journal of Cultural Economics | en_US |
dc.owningcollname | Interdisciplinary and Peer-Reviewed |
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