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Digital Copyright

dc.contributor.authorLitman, Jessicaen_US
dc.date.accessioned2007-10-03T15:21:42Z
dc.date.available2007-10-03T15:21:42Z
dc.date.issued2017-05-15en_US
dc.identifier.citationJessica Litman, Digital Copyright (3d ed. 2017) <http://hdl.handle.net/2027.42/56221>en_US
dc.identifier.isbn1-59102-420-Xen_US
dc.identifier.isbn978-1-59102-420-0en_US
dc.identifier.isbn978-1607854180
dc.identifier.urihttps://hdl.handle.net/2027.42/56221
dc.description[The superceded file is the text of 2006 paperback edition of the book (originally published in 2001) with minor corrections and a short afterword.]
dc.description.abstractI completed the original manuscript of Digital Copyright in 2000, two years after Congress enacted the Digital Millennium Copyright Act. The 1976 Copyright Act was itself 24 years old, and beginning to show its age. The Internet, in contrast, was still new and shiny and scary, especially for legacy entertainment and information businesses and the copyright lawyers who represented them. Seventeen years later, the Internet has become an essential feature of all of our lives and the copyright laws designed to tame it seem elderly and barnacle-encrusted. Remarkably, the legislative process that has made sensible copyright law reform all but impossible has stayed largely unchanged. Congress and the Copyright Office have recently launched what is billed as a comprehensive reexamination of copyright law with the goal of overhauling the law for the 21st century. It seems likely that these efforts will hew to the patterns of earlier copyright revision. Perhaps we stick with the tried and true approach to making copyright laws, even though it results in bad laws, because the process works so well for so many of the participants. Members of Congress can rely on affected industries to come up with broadly acceptable compromises, and to take on much of the burden of pressuring other interested groups to swallow them. Meanwhile, Senators and Representatives can continue to collect generous campaign contributions. The Copyright Office can be the center of attention as it plays a crucial role in managing the multilateral negotiations and interpreting their results to Congress. Copyright lobbyists and trade organizations can collect hefty fees from their members, in return for supplying them with laws that will give them competitive advantages against the next new thing, whatever it is. Because the laws that emerge from this process don’t work very well, meanwhile, everyone can look forward to another round. In addition to the Afterword that I wrote for the 2006 paperback edition, I have included a postscript looking back briefly on what, if anything, we might have learned from the aftermath of the stories told in this book.
dc.format.extent1347 bytes
dc.format.extent2834114 bytes
dc.format.mimetypetext/plain
dc.format.mimetypeapplication/pdf
dc.language.isoen_USen_US
dc.publisherPrometheus Booksen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectCopyrighten_US
dc.subjectInterneten_US
dc.titleDigital Copyrighten_US
dc.typeBooken_US
dc.subject.hlbsecondlevelLaw and Legal Studiesen_US
dc.subject.hlbtoplevelGovernment, Politics and Lawen_US
dc.contributor.affiliationumProfessor of Lawen_US
dc.contributor.affiliationumProfessor of Informationen_US
dc.contributor.affiliationumcampusAnn Arboren_US
dc.description.bitstreamurlhttps://deepblue.lib.umich.edu/bitstream/2027.42/56221/2/Digital Copyright.pdf
dc.description.bitstreamurlhttps://deepblue.lib.umich.edu/bitstream/2027.42/56221/4/Digital Copyright 2017.pdf
dc.description.bitstreamurlhttps://deepblue.lib.umich.edu/bitstream/2027.42/56221/5/license_rdf
dc.description.filedescriptionDescription of Digital Copyright 2017.pdf : 2017 edition: Final page proofs of the book
dc.description.filedescriptionDescription of Digital Copyright.pdf : SUPERCEDED 2006 edition; see description for add'l information
dc.owningcollnameLaw School


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