Experiential Extensions

Abstract

This thesis examines the work of the artist Edward S. Johnston in relation to the notion of re-enchanting human experience. The thesis begins with a philosophical basis for understanding enchantment and disenchantment with respect to the filters of time perception and space perception. This is followed by an exploration of reasons for reenchantment and the creative work of a variety of artists who have established responses to disenchantment. Johnston then describes, presents, and discusses his creative works that aim to re-enchant human experience through a complex, conscious engagement with technology, perception, and the environment.