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Sexual Figures of Kerala: Cultural Practices, Regionality and the Politics of Sexuality.

dc.contributor.authorMokkil-Maruthur, Navaneethaen_US
dc.date.accessioned2011-01-18T16:15:31Z
dc.date.availableNO_RESTRICTIONen_US
dc.date.available2011-01-18T16:15:31Z
dc.date.issued2010en_US
dc.date.submitteden_US
dc.identifier.urihttps://hdl.handle.net/2027.42/78876
dc.description.abstractThis dissertation examines discourses of sexuality in Kerala, a “model state” known for successful development, gender equity and literacy rates in India. Kerala’s restructuring in the 1990s era of liberalization has shifted the governmental and political discourses of sexuality. I examine the post-1990s public sphere of Kerala as it changes and yet retains its connection to earlier periods. Through the examination of formative networks of visual and literary cultural practices of the region, I offer a critical understanding of the politics of sexuality. The domestic woman is foundational to the making of Kerala as a model state. My analysis focuses on how non-normative sexual figures of the prostitute and the lesbian claim subject positions in the post-1990s within the context of complex cultural practices in the region. I move away from a politics of empowerment and progress in order to locate forms of resistance that are tenuous, tactical and marked by affective excess. My focus on the long, ruptured history of sexuality in Kerala troubles the liberatory movement from silence to speech. I focus on vernacular, mass cultural materials produced by the state and activist organizations. I also examine the disorderly circuits of popular texts and public events. The first chapter analyzes the cult representation of the prostitute in pre-1990s popular media and its afterlife in the post-1990s period in my analyses of the Malayalam film Avalude Ravukal (Her Nights 1978) and the Kunjibi murder case (1987). The second chapter focuses on the dual autobiographical project of Nalini Jameela, a sex worker (2005), and its critique of public health and rights paradigms. The third chapter demonstrates that a film from the 1980s can be more disruptive than a recent transnational production Sancharram (The Journey 2004), labeled the first lesbian film set in Kerala. A study of the narratives of lesbian suicides recorded by the activist group Sahayatrika (Co-traveller), the fourth chapter locates tentative acts and practices that render vulnerable the regulatory norms of heterosexuality. This dissertation thus analyzes the region not as a space of exception but rather as a set of cultural practices that unsettle sexual politics.en_US
dc.format.extent2928800 bytes
dc.format.extent56583 bytes
dc.format.extent1373 bytes
dc.format.mimetypeapplication/octet-stream
dc.format.mimetypeapplication/pdf
dc.format.mimetypetext/plain
dc.language.isoen_USen_US
dc.subjectGender and Globalizationen_US
dc.subjectLiterary and Visual Cultureen_US
dc.subjectSexuality Politics in Indiaen_US
dc.subjectIndian Feminismen_US
dc.subjectRepresentation and Agencyen_US
dc.subjectPublic Sphere and Affecten_US
dc.titleSexual Figures of Kerala: Cultural Practices, Regionality and the Politics of Sexuality.en_US
dc.typeThesisen_US
dc.description.thesisdegreenamePhDen_US
dc.description.thesisdegreedisciplineEnglish and Women's Studiesen_US
dc.description.thesisdegreegrantorUniversity of Michigan, Horace H. Rackham School of Graduate Studiesen_US
dc.contributor.committeememberHerrmann, Anne C.en_US
dc.contributor.committeememberSee, Maria Saritaen_US
dc.contributor.committeememberDass, Manishitaen_US
dc.contributor.committeememberRamaswamy, Sumathien_US
dc.subject.hlbtoplevelHumanitiesen_US
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/78876/1/navnee_2.pdf
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/78876/2/navnee_1.pdf
dc.owningcollnameDissertations and Theses (Ph.D. and Master's)


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