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Cultivating Audiences: Filmbildung, Moral Education, and the Public Sphere in Germany.

dc.contributor.authorUnger, Susanne B.en_US
dc.date.accessioned2011-09-15T17:12:03Z
dc.date.availableNO_RESTRICTIONen_US
dc.date.available2011-09-15T17:12:03Z
dc.date.issued2011en_US
dc.date.submitted2011en_US
dc.identifier.urihttps://hdl.handle.net/2027.42/86372
dc.description.abstractThis dissertation investigates the moral education of young citizens in early 21st century Germany through the study of Filmbildung (film education) efforts. While the beliefs and practices informing film education and moral education may not appear closely related at first sight, this dissertation reveals a number of important connections, and analyzes their implications. German politicians, public intellectuals, and educators promote film education programs for students by arguing that media competence or film literacy are crucial abilities for fostering communicative competence, analytical skills, and the ability to actively participate in the public sphere. However, in practice they rarely specify these claims. I identify several factors that enable disjunctures between official rhetoric about film education and their everyday articulation, and argue that these are partly due to a hegemonic belief in the value of Bildung. Based on ethnographic fieldwork with institutions promoting film education programs for children and teenagers, this ethnography traces the historical and cultural trajectories that inspired the emergence and proliferation of film education programs and their disjunctive implementations. Current film education efforts build on a tradition of self-cultivation, edification, and transformation through the engagement with written texts and the German tradition of the Bildungsroman. However, these understandings of literacy and film literacy do not acknowledge the ways in which film education efforts may unwittingly reinforce social inequalities. This ethnography allows us to identify local and national understandings about the relationships between film, Bildung, and the ability to articulate political and social concerns—understandings that are presupposed by many who attempt to implement Filmbildung. My analysis reveals how talk about film both reflects and co-constructs social and political practices, and investigates the moralizing practices that inform beliefs about education and civic participation. This work speaks to anthropological research on literacy and civic participation, on the relationship between audiences and publics, and on moral education.en_US
dc.language.isoen_USen_US
dc.subjectYouthen_US
dc.subjectEducationen_US
dc.subjectGermanyen_US
dc.subjectMediaen_US
dc.subjectFilmen_US
dc.subjectPublicsen_US
dc.titleCultivating Audiences: Filmbildung, Moral Education, and the Public Sphere in Germany.en_US
dc.typeThesisen_US
dc.description.thesisdegreenamePhDen_US
dc.description.thesisdegreedisciplineAnthropologyen_US
dc.description.thesisdegreegrantorUniversity of Michigan, Horace H. Rackham School of Graduate Studiesen_US
dc.contributor.committeememberLemon, Alaina M.en_US
dc.contributor.committeememberGursel, Zeynepen_US
dc.contributor.committeememberShryock, Andrew J.en_US
dc.contributor.committeememberVon Moltke, Johannesen_US
dc.subject.hlbsecondlevelAnthropology and Archaeologyen_US
dc.subject.hlbtoplevelSocial Sciencesen_US
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/86372/1/sbu_1.pdf
dc.owningcollnameDissertations and Theses (Ph.D. and Master's)


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