“Ogawa Puro, Sono Undo to Shite no Eiga ni Okeru Ongakusei” [Ogawa Pro and the Musicality of Movement Cinema]

Nornes, Markus

“Ogawa Puro, Sono Undo to Shite no Eiga ni Okeru Ongakusei” [Ogawa Pro and the Musicality of Movement Cinema]

dc.contributor.author	Nornes, Markus	en_US
dc.date.accessioned	2012-04-26T01:49:54Z
dc.date.available	2012-04-26T01:49:54Z
dc.date.issued	2010
dc.identifier.citation	“Ogawa Puro, Sono Undo to shite no Eiga ni Okeru Ongakusei” [Ogawa Pro and the Musicality of Movement Cinema], trans. Mizuno Sachiko, in Nihon Eiga wa Ikiteiru, vol. 7, ed. Ishizaka Kenji (Tokyo, 2010: Iwanami Shoten), 1-34. <http://hdl.handle.net/2027.42/90930>	en_US
dc.identifier.uri	https://hdl.handle.net/2027.42/90930
dc.description.abstract	Drawing on Jane Gaines theory of political mimesis in documentary, this article argues that Ogawa's Sanrizuka Series suggests a more powerful way to conceptualize the mimetic qualities of activist cinema would be "musicality."	en_US
dc.language.iso	ja	en_US
dc.subject	Film	en_US
dc.subject	Motion Pictures	en_US
dc.title	“Ogawa Puro, Sono Undo to Shite no Eiga ni Okeru Ongakusei” [Ogawa Pro and the Musicality of Movement Cinema]	en_US
dc.type	Book Chapter	en_US
dc.subject.hlbsecondlevel	Humanities (General)
dc.subject.hlbtoplevel	Humanities
dc.contributor.affiliationum	Screen Arts and Cultures, Department of	en_US
dc.contributor.affiliationum	Asian Languages and Cultures, Department of	en_US
dc.contributor.affiliationum	School of Art & Design	en_US
dc.contributor.affiliationumcampus	Ann Arbor	en_US
dc.description.bitstreamurl	http://deepblue.lib.umich.edu/bitstream/2027.42/90930/1/Ogawa.Movement.Japanese.pdf
dc.owningcollname	Screen Arts and Cultures, Department of

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