“Ogawa Puro, Sono Undo to Shite no Eiga ni Okeru Ongakusei” [Ogawa Pro and the Musicality of Movement Cinema]
dc.contributor.author | Nornes, Markus | en_US |
dc.date.accessioned | 2012-04-26T01:49:54Z | |
dc.date.available | 2012-04-26T01:49:54Z | |
dc.date.issued | 2010 | |
dc.identifier.citation | “Ogawa Puro, Sono Undo to shite no Eiga ni Okeru Ongakusei” [Ogawa Pro and the Musicality of Movement Cinema], trans. Mizuno Sachiko, in Nihon Eiga wa Ikiteiru, vol. 7, ed. Ishizaka Kenji (Tokyo, 2010: Iwanami Shoten), 1-34. <http://hdl.handle.net/2027.42/90930> | en_US |
dc.identifier.uri | https://hdl.handle.net/2027.42/90930 | |
dc.description.abstract | Drawing on Jane Gaines theory of political mimesis in documentary, this article argues that Ogawa's Sanrizuka Series suggests a more powerful way to conceptualize the mimetic qualities of activist cinema would be "musicality." | en_US |
dc.language.iso | ja | en_US |
dc.subject | Film | en_US |
dc.subject | Motion Pictures | en_US |
dc.title | “Ogawa Puro, Sono Undo to Shite no Eiga ni Okeru Ongakusei” [Ogawa Pro and the Musicality of Movement Cinema] | en_US |
dc.type | Book Chapter | en_US |
dc.subject.hlbsecondlevel | Humanities (General) | |
dc.subject.hlbtoplevel | Humanities | |
dc.contributor.affiliationum | Screen Arts and Cultures, Department of | en_US |
dc.contributor.affiliationum | Asian Languages and Cultures, Department of | en_US |
dc.contributor.affiliationum | School of Art & Design | en_US |
dc.contributor.affiliationumcampus | Ann Arbor | en_US |
dc.description.bitstreamurl | http://deepblue.lib.umich.edu/bitstream/2027.42/90930/1/Ogawa.Movement.Japanese.pdf | |
dc.owningcollname | Screen Arts and Cultures, Department of |
Files in this item
Remediation of Harmful Language
The University of Michigan Library aims to describe library materials in a way that respects the people and communities who create, use, and are represented in our collections. Report harmful or offensive language in catalog records, finding aids, or elsewhere in our collections anonymously through our metadata feedback form. More information at Remediation of Harmful Language.
Accessibility
If you are unable to use this file in its current format, please select the Contact Us link and we can modify it to make it more accessible to you.