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Saints, Seers, and Sorceresses: Femininity and the Spiritual Supernatural in Contemporary U.S. Film and Television.

dc.contributor.authorBiddinger, Megan E.en_US
dc.date.accessioned2012-06-15T17:29:50Z
dc.date.availableNO_RESTRICTIONen_US
dc.date.available2012-06-15T17:29:50Z
dc.date.issued2012en_US
dc.date.submitteden_US
dc.identifier.urihttps://hdl.handle.net/2027.42/91386
dc.description.abstractSaint, Seers, and Sorceresses examines the ways that contemporary discourses of gender and religion/spirituality are shaped, reproduced, and disrupted in popular cultural texts. In the past two decades the cultural landscape of the United States was marked by a florescence of popular film and television texts featuring women and the nexus of religion/spirituality and the supernatural or what I call the “spiritual supernatural”. Through close readings of these texts, I argue that the spiritual supernatural operates as a significant and multi-faceted discourse of femininity at the turn of the 21st century. In each chapter I trace the spiritual supernatural’s operation first as a discourse of femininity which responds to contemporary anxieties about femininity in particular as well the broader cultural context in which they first appear. Secondly, I attend to the mythological precedents for these narratives that are invoked and their relationships to contemporary and historical shifts in spiritual life and regimes of truth (which, of course, are not wholly separate from gender anxieties). This analysis is significant because feminist media studies’ failure to engage with these narratives, or to do so while dismissing their connections to religion and spirituality is a significant gap in recent work on the ways that certain elements of feminism and feminist thinking have been incorporated into popular media in such a way as to render feminism unnecessary and even contrary to women’s well-being. These texts are certainly engaged in the work of containing the threat that feminist ideas pose to the status quo, but which ideas and the methods of containment are different and practically undiscussed in the extant literature. Studies of religion and the media from a media and cultural studies perspective are similarly missing any monographs which attend to the heavily gendered nature of the recent turn towards spirituality in popular film and television.en_US
dc.language.isoen_USen_US
dc.subjectGender and the Mediaen_US
dc.subjectReligion/Spirituality and the Mediaen_US
dc.titleSaints, Seers, and Sorceresses: Femininity and the Spiritual Supernatural in Contemporary U.S. Film and Television.en_US
dc.typeThesisen_US
dc.description.thesisdegreenamePhDen_US
dc.description.thesisdegreedisciplineCommunicationen_US
dc.description.thesisdegreegrantorUniversity of Michigan, Horace H. Rackham School of Graduate Studiesen_US
dc.contributor.committeememberDouglas, Susan J.en_US
dc.contributor.committeememberHaggins, Bambi L.en_US
dc.contributor.committeememberLotz, Amanda D.en_US
dc.contributor.committeememberScannell, Gerald Patricken_US
dc.subject.hlbsecondlevelCommunicationsen_US
dc.subject.hlbtoplevelSocial Sciencesen_US
dc.description.bitstreamurlhttp://deepblue.lib.umich.edu/bitstream/2027.42/91386/1/biddinge_1.pdf
dc.owningcollnameDissertations and Theses (Ph.D. and Master's)


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