HOURS OF INFINITY: RECORDING THE IMPERFECT ETERNAL
dc.contributor.author | Kannenberg, John | |
dc.contributor.advisor | Kirshner, Andy | |
dc.date.accessioned | 2012-06-22T20:59:23Z | |
dc.date.available | NO_RESTRICTION | en_US |
dc.date.available | 2012-06-22T20:59:23Z | |
dc.date.issued | 2012-04 | |
dc.date.submitted | 2012-04 | |
dc.identifier.uri | https://hdl.handle.net/2027.42/91760 | |
dc.description.abstract | Hours of Infinity is an ongoing project that seeks to record the “imperfect Eternal” – the human experience of the infinite, with all its flaws. A rigorously imprecise drawing method is at work in the three projects documented here, leading to visual objects that are uneven, absurd, and fragile symbols for something believed to be symmetrical, profound and everlasting. This MFA thesis documents the images, sounds, video, and performance event created thus far for Hours of Infinity. It also discusses the artistic, philosophical, and textual influences that fed directly into the creation of the work. | en_US |
dc.language.iso | en_US | en_US |
dc.subject | Absurd | en_US |
dc.subject | Acousmatic | en_US |
dc.subject | Active Sounds of History | en_US |
dc.subject | Aesthetics | en_US |
dc.subject | Akhet | en_US |
dc.subject | Amduat | en_US |
dc.subject | Anaximander | en_US |
dc.subject | Apeiron | en_US |
dc.subject | Archives | en_US |
dc.subject | Authenticity | en_US |
dc.subject | Beauty | en_US |
dc.subject | Cartouche | en_US |
dc.subject | Chance | en_US |
dc.subject | Chance Operations | en_US |
dc.subject | Chaos | en_US |
dc.subject | Charcoal | en_US |
dc.subject | Circle | en_US |
dc.subject | Collection | en_US |
dc.subject | Contradiction | en_US |
dc.subject | Creation | en_US |
dc.subject | Curation | en_US |
dc.subject | Cyclic Time | en_US |
dc.subject | Deburau | en_US |
dc.subject | Drawing | en_US |
dc.subject | Egypt | en_US |
dc.subject | Fibonacci Sequence | en_US |
dc.subject | Fishing Line | en_US |
dc.subject | Fluxus | en_US |
dc.subject | Footsteps | en_US |
dc.subject | Forum | en_US |
dc.subject | Gallery | en_US |
dc.subject | Graphic Notation | en_US |
dc.subject | Graphic Scores | en_US |
dc.subject | Greece | en_US |
dc.subject | Greek | en_US |
dc.subject | Hearing | en_US |
dc.subject | Hesiod | en_US |
dc.subject | Hieroglyph | en_US |
dc.subject | Imperfect Eternal | en_US |
dc.subject | Imperfection | en_US |
dc.subject | Inaudible | en_US |
dc.subject | Infinite | en_US |
dc.subject | Infinity | en_US |
dc.subject | Installation | en_US |
dc.subject | John Kannenberg | en_US |
dc.subject | Lemniscate | en_US |
dc.subject | Line | en_US |
dc.subject | Listening | en_US |
dc.subject | Maria Barosso | en_US |
dc.subject | Metamodernism | en_US |
dc.subject | Mistakes | en_US |
dc.subject | Monofilament | en_US |
dc.subject | Museum | en_US |
dc.subject | Museum Theory | en_US |
dc.subject | Objets Sonores | en_US |
dc.subject | Paradox | en_US |
dc.subject | Pencil | en_US |
dc.subject | Peras | en_US |
dc.subject | Pompeii | en_US |
dc.subject | Pre-Socratic Philosophy | en_US |
dc.subject | Process | en_US |
dc.subject | Re | en_US |
dc.subject | Renpet | en_US |
dc.subject | Resonance | en_US |
dc.subject | Room of the Mysteries | en_US |
dc.subject | Seishintouistu | en_US |
dc.subject | Set Theory | en_US |
dc.subject | Sharawadji | en_US |
dc.subject | Shen | en_US |
dc.subject | Sonorous Objects | en_US |
dc.subject | Sound | en_US |
dc.subject | Sound Art | en_US |
dc.subject | Sounding | en_US |
dc.subject | Still Life | en_US |
dc.subject | Still Time | en_US |
dc.subject | Sun | en_US |
dc.subject | Sun Barge | en_US |
dc.subject | Sun God | en_US |
dc.subject | Temple | en_US |
dc.subject | Temple Gentis Flaviae | en_US |
dc.subject | Time | en_US |
dc.subject | Universe | en_US |
dc.subject | Visual Music | en_US |
dc.subject | Wabi Sabi | en_US |
dc.subject | Wonder | en_US |
dc.subject | Writing | en_US |
dc.title | HOURS OF INFINITY: RECORDING THE IMPERFECT ETERNAL | en_US |
dc.type | Thesis | en_US |
dc.description.thesisdegreename | Master of Fine Arts (MFA) | en_US |
dc.description.thesisdegreediscipline | School of Art & Desgin | en_US |
dc.description.thesisdegreegrantor | University of Michigan | en_US |
dc.contributor.committeemember | Cressman, Larry | |
dc.contributor.committeemember | Rush, Stephen | |
dc.contributor.committeemember | Wilfong, T.G. | |
dc.identifier.uniqname | johnkb | en_US |
dc.description.bitstreamurl | http://deepblue.lib.umich.edu/bitstream/2027.42/91760/1/2012_Kannenberg_MFA_Thesis.pdf | |
dc.owningcollname | Art and Design, Penny W. Stamps School of - Master of Fine Arts (MFA) in Art |
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